"Now we know better, we need to do better”: How to write strength-based goals and objectives through an extended humanistic lens
Tracks
Stream 2
Sunday, September 8, 2024 |
3:30 PM - 5:00 PM |
Rooms 3&4 |
Speaker
Dr Grace Thompson
Head of Music Therapy
The University of Melbourne
"Now we know better, we need to do better”: How to write strength-based goals and objectives through an extended humanistic lens
Biography
Grace Thompson is a music therapist and Associate Professor in Music Therapy at the University of Melbourne. Grace has lived experience of disability, and has worked with disabled children and young people, and their families, for over 20 years within the early childhood and special education sectors. Her research focuses on understanding how accessible music making can foster relationships and social connection. Grace is author of the book “Goal processes in music therapy”, and co-editor of the book “Music Therapy with Families: Therapeutic Approaches and Theoretical Perspectives”. She is currently Editor-in-Chief of the Nordic Journal of Music Therapy.
Jen Whalan
Phd Researcher
Sound Expression
"Now we know better, we need to do better”: How to write strength-based goals and objectives through an extended humanistic lens
Abstract Overview
When we write music therapy goals for our clients we are often trying to meet the demands of both the funding scheme and the participants. The NDIS emphasis on functional goals can result in a focus on the participants’ pathology. However, people with lived experience highlight this emphasis on deficits is an ableist and disrespectful approach. Music therapists need to find creative ways to write goals that focus on the diverse strengths and abilities of our clients instead of their deficits, in a way that is respectful, but remains accessible to funding organisations such as the NDIS.
This masterclass aims to demonstrate and workshop how any music therapy practice could approach their existing goals to identify potentially ableist language in their writing and create a bank of strength-based and neuro-affirming alternatives. Through interactive experiences, we will question and discuss: How do we write goals for clients where striving for independence isn't a relevant direction for them? How do we write goals that respectfully acknowledge a client's level of interdependence, or to maximise an element of a client's unique neurodiversity, whilst still qualifying for funding?
These questions will be addressed through sharing current literature on the use of respectful terminology and extended humanism in light of the values proposed by post-humanist theorists. In addition, a case study will be presented illustrating how a team of music therapists approached the challenges of goal writing reflecting on the concept of 'maximisation versus normalisation'. We will show how analysing past and present music therapy goals led to a more strength-based approach. This masterclass is not intended to be a formulaic session on 'how to write goals and objectives', but instead will offer a scaffold and examples of how to utilise language that is respectful to ensure our goals and objectives are strength-based and client-centered.
This masterclass aims to demonstrate and workshop how any music therapy practice could approach their existing goals to identify potentially ableist language in their writing and create a bank of strength-based and neuro-affirming alternatives. Through interactive experiences, we will question and discuss: How do we write goals for clients where striving for independence isn't a relevant direction for them? How do we write goals that respectfully acknowledge a client's level of interdependence, or to maximise an element of a client's unique neurodiversity, whilst still qualifying for funding?
These questions will be addressed through sharing current literature on the use of respectful terminology and extended humanism in light of the values proposed by post-humanist theorists. In addition, a case study will be presented illustrating how a team of music therapists approached the challenges of goal writing reflecting on the concept of 'maximisation versus normalisation'. We will show how analysing past and present music therapy goals led to a more strength-based approach. This masterclass is not intended to be a formulaic session on 'how to write goals and objectives', but instead will offer a scaffold and examples of how to utilise language that is respectful to ensure our goals and objectives are strength-based and client-centered.
Biography
Jen Whalan is a dual-qualified music therapist and special education teacher with a combined fifteen years’ experience across these disciplines. Jen has worked in health and education settings including Westmead Children’s Hospital, Nordoff-Robbins Music Therapy Centre, early intervention and adult services, Schools for Specific Purpose and Sound Expression Music Therapy Centre. She is currently a PhD student at Western Sydney University focusing on developing an inclusive performative model for students with unique learning needs.
